The first part of the drawing was the introduction of one Fred Dowse into the foreground. Charles can be seen using one of his source pictures to complete the drawing. Note also the shade provided by the brolly erected to beat the glare from the white paper.
Initial Drawing
Next stage was the initial application of paint to the foreground figure. Interesting to note here is the fact that Charles does not always complete drawing across all of the paper before starting to paint.
Fred Dowse - Charles Reid, First passage of paint
Next was the drawing and painting of the immediate background to the figure, establishing all of the important tonal contrasts.
Background shapes are established next.
Fred Dowse - Charles Reid, background shapes introduced
One of the joys of working outside is the serendipitous meetings that take place. George Heath is one of the oldest residents of Urchfont, having lived there all of his life. George joined us and the pleasure to be had from listening to his recollections is immense. The old photographs depicting residents were a great prompt to his memory as he knew many of the individuals and had a fund of stories about them to lighten our day. As he sat talking I managed to make a small sketch on a new piece of watercolour paper with the intention of using him as foreground interest for my work to follow. A magical interlude.
One of the joys of working outside is the serendipitous meetings that take place. George Heath is one of the oldest residents of Urchfont, having lived there all of his life. George joined us and the pleasure to be had from listening to his recollections is immense. The old photographs depicting residents were a great prompt to his memory as he knew many of the individuals and had a fund of stories about them to lighten our day. As he sat talking I managed to make a small sketch on a new piece of watercolour paper with the intention of using him as foreground interest for my work to follow. A magical interlude.
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